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19201 Cook Street
Foothill Ranch
CA 92610-3501, USA |
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| P E R F O R M I N G- A R T S / T H E A T R E S |
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“The Renkus-Heinz systems are exceptionally smooth, and coverage is consistent to every seat,” says Hamilton. “I know exactly what I’m going to get with Renkus-Heinz speakers, and the company is very supportive and great to work with. We’ve used their products for over 15 years, and performance and reliability are the main reasons we keep coming back to them."
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"The PN82's tight focus contributed to the overall even distribution of sound, and the built-in amplification and RHAON processing let us precisely tune the system to meet the challenging requirements of this room. The Renkus-Heinz speaker voicing sounds amazing, and there is plenty of headroom and clarity in the system."
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Bruijns adds: "We demonstrated it in the Great Hall, and showed the management how the IC Live system's digital beam steering could achieve accurate vertical beam angles to cover seats all the way to the back at 30 meters. At the same time the technology allowed us to keep reflections from the hard ceiling and rear wall."
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"The client was very pleased with the system, and especially the sound quality of the ST9/4-3 RPA, which was well beyond what they expected." – Gino Ruta, CTSI.
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"The PNX102 line array is just an excellent product, particularly for larger halls like this," says Project Manager Robert Delaney of Raleigh-based Strategic Connections.
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"It was fantastic when they opened Scene 2, and at its premiere journalists wrote that it was heavenly! The sound engineer did a very good job, also; it almost sounded acoustic when coming from the speakers, so it sounded right."
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Simon Cooper, Head of Projects for Northern Light, says: “The Iconyx loudspeakers were specified by
Peter Mapp for several reasons, including the fact that the size of the unit allows them to fit ideally into the
space either side of the pros arch. During the design process Peter also wanted to have more control
over directivity from the main loudspeakers, rather than fit delay loudspeakers.”
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“In dealing with this central but acoustically very difficult space,” we needed the spoken voice to be totally intelligible everywhere. But we also wanted an audio solution that could handle music properly, including occasional small concerts.” said Malherbe.
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"The old theatre here, being relatively close to Brussels and lacking modern facilities and acoustics, found it very hard to attract classical fans, so the objective was to create an acoustic environment in a medium sized theatre that would rival the big places in the city. With MCR, they now have acoustics as good as anywhere in Brussels and sell out most concerts." - Ampco Belgium’s project manager Steven Kemland.
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Adds Rutten: “In the end we had two weeks to devise a solution and design and install the system. The theatre’s management is very happy with the end result and for us the Iconyx provided the only workable solution, as well as being more cost-effective than a traditional system.”
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During the Nasher’s Grand Opening, events included live bands and CD playback as well as speeches and lectures. “The ICONYX system passed all these tests with flying colors,” Foulkrod reports. “The client has told us that the Nasher Museum’s atrium sounds far better than they ever thought it would.”
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The newly rebuilt 2,201 seat
auditorium at the Kursaal in Ostend, Belgium features a unique
audio installation by Ampco Belgium, combining four distinct
functions: sound reinforcement for ‘concert’ mode,
5.1 surround sound for ‘cinema’ mode, a voice
announcement system and Multi Channel Reverberation, with
MediaMatrix routing and processing.
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Darling specified a left-center-right loudspeaker
system from Renkus-Heinz, consisting of a CT5/94K biamp speaker as the main center, and SR5/64 passive crossover speakers as the left and right mains. "We feel quite strongly that a left-center-right
cluster has the most flexibility in this type of applications,"
Darling explained. "It gives you the
option of high-quality speech intelligibility by using the
center cluster, solid stereo sound for amplified performance
and, in musical theater, the entire system comes into play."
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"It's a widely variable-acoustic
space designed for symphony, which can also be used for a
variety of other performance types, such as jazz, light opera,
the spoken word, and so on," explains Murray.
It comes complete with its own sound system. "We
put in left/center/right loudspeaker cluster with Renkus-Heinz
speakers and Crown amplification," explains Rick Wells, formerly of McKay Conant Brook
Inc. the acoustician and A/V consultant, currently Wells is
with Multi-Media Consulting.
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The left/center/right flown house system in comprised of Renkus-Heinz speakers driven by QSC power amplifiers. "Renkus-Heinz makes a well-engineered array",
declared consultant Gary Sanborn on cluster
speaker choice. "And I like them sonically, as
well."
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Degerlund says the high technology is essential: “ You
must have good sound for this standard of performers. We have
very good sound from Renkus-Heinz.” The main
left and right proscenium system comprises a pair each of STX7 and STX5L cabinets, while a centre pair of STX2 and six Reflex RFX121 full-range loudspeakers.
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In the latter category, six SR5/6 full-range loudspeakers are ranged across the top of the proscenium
arch, with 18 TRC61 cabinets providing the surround elements and four SR62Hs
deployed as front fill speakers, rounded off by a pair of
Renkus-Heinz DRS18-1V subwoofers - one mounted in a catwalk, the other a portable
addition which is sited depending on the sonic requirements
of an individual production.
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